Accra, March 5, GNA - Mr. Kwaw Paintsil Ansah, internationally acclaimed Ghanaian Filmmaker on Friday lauded the critical role film critics play in the development of the movie industry.
He has therefore tasked African Film Critics not to gloss over such= a crucial role. "An analytical, objective and critical critic of a film is an asset to the producer and the audience alike," Mr. Ansah noted during a meeting with the Vice President= of the African
Federation of Film Critics, Mr. Francis Ameyibor in Accra. The meeting was to explore the possibility of establishing a formal collaborative
network between the African Federation of Film Critics and the Ghana Film=
Club to inject
dynamism into the Ghanaian film industry. Mr. Ansah called on film critics to join an advocacy campaign to be launched by the
Ghana Film Club for the passage of a Film Policy, which had been in the cabinet of the
Attorney General for the past 25 years. He noted that the Ghanaian movie industry which took a nose dive in the 1980's and
90's due to the political environment, lack of fund, inadequate governmen= tal support and
poor marketing strategy was now on the verge of recapturing its strategic=
position. Mr. Ansah urged the government to invest and promote private governm= ent partnership
for the development of the movie industry. "The movie industry is key for the conscientisation of the Ghanaian for accelerated
economic growth. "I have always felt that Africans as a people have their own values.=
We've gone through
a colonial experience and definitely the colonial master had a programme to brainwash his
subject so that he can be subjugated. "This system has eroded a lot of the confidence of the African. And t= his is where robust
local movie industry comes in-to let us turn round to see what has gone wrong and use
the goodness in what our ancestors left us." Mr. Ameyibor commended Mr. Ansah for his valuable contribution to th= e development
of the movie industry not only in Ghana but Africa. He urged the Ghana Film Club not only to concentrate on the developm= ent of a national
film policy but also collaborate with other African countries and the African Union to
develop a continental film policy. Mr. Ameyibor, who is also a Chief Reporter at the Ghana News Agency,=
noted: "The
African movie industry is now evolving. As of now we have country-based industries that
are struggling to create an identity for themselves. We must develop a continental
policy." He noted that while countries to the west and south of the continent= , as well as Egypt,
had the most developed film industries - most notably in animation - Keny= a had also come
out of the woodwork. Mr. Ameyibor said the re-opening of cinema halls was giving new hope= to the Ghana
movie industry watchers who believe the biggest challenge would be attracting audiences
to home-grown films. Many cinema halls were closed down over the years for political, economic or security
reasons. He said patronage of a new theatre opened in Accra- the Silver Bird was quite
encouraging, adding "in Nigeria they keep opening new theatres". Mr. Ameyibor called on Ghanaian film producers to use the services o= f film critics to
enhance the quality of their work. "A critic of film is not an attempt to down play the value of the fi= lm but a strategic
contribution for the development of good films in the future."