The untold story of how Al Anderson joined 'Bob Marley and the Wailers'

When it comes to iconic bands, few have had as lasting an impact as the popular Jamaican reggae group ‘Bob Marley and the Wailers’.

Known for blending rock, soul, and reggae, the band, led by the legendary Bob Marley, revolutionised the global music scene with their powerful rhythms and conscious lyrics.

One of the most remarkable members of the group was Al Anderson, was the first non-Jamaican guitarist to join the Wailers.

Anderson’s time with the band, from 1974 to 1976, saw him blend his rock 'n' roll background with reggae, creating a distinctive sound that elevated the band’s music to new heights.

In an exclusive interview with GhanaWeb’s David Antwi, Anderson shared his journey into the world of ‘Bob Marley and the Wailers’, recounting his early experiences and the pivotal moments that led him to the iconic group.

Anderson's path to joining the Wailers began when he moved to England to work with Richard Branson's Virgin Records.

There, he crossed paths with influential musicians like Oswald and Delroy Washington, but it was his friendship with Paul Kossoff, the lead guitarist of the rock band Free, that would prove to be his big break.

One day, Kossoff received a call from Chris Blackwell, the CEO of Island Records, who needed a guitarist for Bob Marley's "Natty Dread" album.

“I got to know Paul Kossoff from Free. They had a lot of hit songs, a really big rock group. I was at his house one day; we were sitting there and the phone rang. And it was Chris Blackwell… the CEO of Island and had signed the Wailers, Bob, Peter and Bunny. He was on the phone talking to the lead guitarist of Free that he needed to get down to the studio because Bob Marley was in England doing a solo record.

“Bob had left Peter and Bunny and they wanted a British guitar player to play on the Natty Dread album. But he (the guitarist) had been drinking and smoking, and he felt that he wasn't in the mood to do the session with Bob. And he gave me the opportunity to substitute for him. And so, Chris said, ‘Well, then let the young American kid go if you can't make it,” he stated.

Anderson was promptly sent to Basing Street Studios, where he met Blackwell and Marley. Without any formal introductions, he plugged in his guitar and began working on the album.

This opportunity marked the beginning of Anderson's significant contributions to Bob Marley's music, blending his rock background with reggae.

“I came straight from the taxi into the studio and didn't say anything to him till we were finished recording. So I didn't go in and say, ‘Oh, hi, Bob. Hey, Chris.’

“I walked right into the studio. Plugged into the amplifier and I said, ‘What do you got for me?’ Because I was more interested in hearing what Bob's music was that I was going to play to produce my guitar parts for,” he stated.

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